The Soundscapes of the Lower Chuya River Area, Russian Altai: Ethnographic Sources, Indigenous Ontologies and the Archaeoacoustics of Rock Art Sites

Abstract The acoustics of the Lower Chuya River area rock art landscape are analyzed through both exploration its acoustic properties and ethnographic information gathered about region. results obtained in tests undertaken area, particular at sites Kalbak-Tash I, II, Adyr-Kan, examined. They indicate that perceived loudness resulting from a natural amplification sound (strength parameter) music speech clarity may have been some reasons behind selection these locations for production. sources related to Altai other Siberian areas then reviewed as way providing an ontological framework study Altaian sonic concepts behaviors nature. As indicate, least historical period presumably earlier, prehistoric period, all existing beings entangled by sound, they mimic each endless ways. We argue were selected non-linear relational framework. It is suggested multidisciplinary perspective combining archaeology, physical acoustics, ethnography has considerable potential new, richer understanding landscapes.